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• ' Released: May 14, 2002 • ' Released: August 27, 2002 • ' Released: November 19, 2002 • ' Released: April 1, 2003 Let Go is the debut studio album by Canadian singer-songwriter. It was released on June 4, 2002,. For a year after signing a record deal with Arista, Lavigne struggled due to conflicts in musical direction. She relocated to Los Angeles, where she recorded her earlier materials for the album; the kind of sound to which the label was not amenable.
She was paired to the production team, who understood her vision for the album. The album was credited as the biggest pop debut of 2002, and was certified seven-times Platinum in the United States. It was released to generally positive reviews, although Lavigne's songwriting received some criticism. It also did extremely well in Canada, receiving a from the, as well as reaching multi-platinum in many countries around the world, including the UK in which she became the youngest female solo artist to have a number-one album in the region.
As of 2011, Let Go had sold over 16 million copies worldwide, becoming Lavigne's highest-selling album to date. According to, the album was the 21st best-selling album of the decade. A readers poll named Let Go the fourth best album of the 2000s. The album is considered as one of the albums that changed the music scene, because it helped to bring pop punk music into the mainstream, contributing to the rise of female fronted pop punk bands and female-driven punk-influenced pop music.
On 18 March 2013, Let Go was re-released as a paired with her second studio album,, which is released under. The album was further promoted by the between December 2002 and June 2003. Contents • • • • • • • • • • • • • • • • • • • • Background [ ] Lavigne relocated to Los Angeles, where she collaborated with songwriter and producer, who gave her ample creative control in the writing process. Lavigne and Magness wrote ' and 'Unwanted', songs that she deemed reflective of her vision for the entire album. However, Arista was not thrilled with the heavy-guitar laden songs that Lavigne was writing, prompting the label to look for other producers to match their demands.
Now two years since she signed the deal, Lavigne, who was then unknown, came to the attention of the three-piece production team. Arista could not find the right direction for Lavigne, so the team's manager, Sandy Roberton, suggested that they work together: 'Why don't you put her together with The Matrix for a couple of days?'
According to member, they had been listening to Lavigne's early songs and felt they contained 'a kind of vibe'. As soon as they saw Lavigne coming into their studio, The Matrix felt that her musical direction was incongruous to her image and attitude. After talking to Lavigne for an hour, 'we cottoned on that she wasn't happy but couldn't quite figure out where to go'. The Matrix played her songs with Faith Hill influences, because it was those kind of songs the label wanted Lavigne to sing. But Lavigne dismissed it, saying she wanted songs with inclinations. Lavigne played The Matrix a song that she had recorded and really loved, a track with sounds in the likes of the rock band. Fortunately, prior to forming The Matrix, its members' early projects were in the pop-rock type, so they readily figured out what Lavigne wanted to record and knew exactly what to do with her.
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They told her to come back the following day, and in the afternoon during that day, they wrote a song that evolved into ' and another song called 'Falling Down' (Falling Down appears on the Soundtrack). They played it to Lavigne when she came back the following day, inspiring her what path she should take. When Josh Sarubin, the A&R executive who signed Lavigne to the imprint, heard the song, he knew it was right for her. Lavigne presented the song to Reid, who agreed the musical direction Lavigne and The Matrix were taking, and set 'Complicated' as the album's. Reid sent Lavigne back to The Matrix to work with them, initially for a month. Arista gave the team to write and produce 10 songs, which took them two months. The album was originally entitled Anything But Ordinary, after the track of the same name that The Matrix produced, but Lavigne asked Reid for the album to be called Let Go instead, which is the title of an unreleased demo featured on Lavigne's 2001.