Summary WebSphere MQ Internet Pass-Thru has addressed the following vulnerabilities in IBM® Runtime Environment Java™ Version 7.0.10.35. These issues were disclosed as part of the IBM Java SDK updates in October 2018. Vulnerability Details If you run your own Java code using the IBM Java Runtime delivered with this product, you should evaluate your code to determine whether the complete list of vulnerabilities are applicable to your code. For a complete list of vulnerabilities please refer to the link for “IBM Java SDK Security Bulletin' located in the “References” section for more information.
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CVEID: DESCRIPTION: An unspecified vulnerability in Oracle Java SE related to the Java SE, Java SE Embedded, JRockit JSSE component could allow an unauthenticated attacker to cause low confidentiality impact, low integrity impact, and low availability impact. CVSS Base Score: 5.6 CVSS Temporal Score: See for the current score CVSS Environmental Score*: Undefined CVSS Vector: (CVSS:3.0/AV:N/AC:H/PR:N/UI:N/S:U/C:L/I:L/A:L) Affected Products and Versions IBM SDK, Java Technology Edition, Version 7 Service Refresh 10 Fix Pack 30 and earlier releases provided by WebSphere MQIPT 2.1 on all platforms. These vulnerabilities are fixed in IBM Java Version 7.0 Service Refresh 10 Fix Pack 35. A JRE update to this level of Java for MQIPT 2.1.0.4 is available to download from the SupportPac page, via the Download package link. The JRE update files are named ms81_jre_ platform_70sr10fp5, where platform is the operating system and architecture where MQIPT is running. Reshebnik shneperman sbornik zadach po algebre i teorii chisel and bit. Users can follow the instructions contained in.
Please note: Users of MQIPT v2.1 on the HP-UX platform are advised that patches for these issues have not been released by the manufacturer for this JRE level (7.0) at this time. These updates will be published by IBM when they are available.
Workarounds and Mitigations None Get Notified about Future Security Bulletins Subscribe to to be notified of important product support alerts like this. Reference Related Information Acknowledgement None *The CVSS Environment Score is customer environment specific and will ultimately impact the Overall CVSS Score. Customers can evaluate the impact of this vulnerability in their environments by accessing the links in the Reference section of this Security Bulletin. Disclaimer According to the Forum of Incident Response and Security Teams (FIRST), the Common Vulnerability Scoring System (CVSS) is an 'industry open standard designed to convey vulnerability severity and help to determine urgency and priority of response.' IBM PROVIDES THE CVSS SCORES 'AS IS' WITHOUT WARRANTY OF ANY KIND, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. CUSTOMERS ARE RESPONSIBLE FOR ASSESSING THE IMPACT OF ANY ACTUAL OR POTENTIAL SECURITY VULNERABILITY.
Bande a Part Label: Luaka Bop US Release Date: 2006-08-22 UK Release Date: 2006-07-03 Even if I hated their music, I would have to give Nouvelle Vague props for their name, which means 'new wave' in English and 'Bossa Nova' in Portuguese. Fitting, since they are a French band that covers new wave songs in a Bossa Nova style.
'Band' might be a stretch, since Nouvelle Vague is composed of two French producers, Marc Collin and Olivier Libaux, and an exhausting list of ethereal chanteuses. Collin and Libaux's strategy is the same on this as it was on the band's first album: the singers have supposedly never heard original versions of the songs they're covering.
This is a clever move, because we can never really accuse them of trying too hard to sound like anyone. Though Nouvelle Vague comes off as just an amusing novelty act, listening to this album as objectively as possible can reveal hidden depths in these songs. What sets Nouvelle Vague apart from your average cover-band-with-a-twist is that only about half the songs on this record are well known. Standbys like Blondie's 'Heart of Glass' and U2's 'Pride (In the Name of Love)' stand alongside unknowns like Lords of the New Church's 'Dance with Me' and Heaven 17's 'Let Me Go'.
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While this allows the band more creative leeway -- in addition to giving them more cred -- it is admittedly a little less fun than hearing a bouncy Phoebe Killdeer warbling Billy Idol's suggestive 'Dancing with Myself'. Some of these tunes sound great as Bossa Nova, but the main problem with those that don't is the sluggish torpor Nouvelle Vague seem to inadvertently exude. The dreamlike quality of the vocals can be appropriate and haunting, but these songs still need a little kick. The album starts off with Echo & the Bunnymen's 'The Killing Moon', a creepy song that vocalist Melanie Pain pulls off with the appropriate detached anguish. More impressive is 'Ever Fallen In Love?' (originally by the Buzzcocks), which works surprisingly well as an up-tempo Bossa Nova number.